Rock Fist Reviews

Review of Today the Moon Tomorrow the Sun @ The Earl 6-19-2009
~Benjamin King

Location: Atlanta GA
Sample if you Like: Ghostland Observatory, The Pixies, Portus Head, The Melvins, The Killers
Current Record EP: “The Lighting Exhibit”

I think we all should start this review by thanking God for independent music, and for incredibly creative people. I think Today the Moon Tomorrow the Sun is one of those bands that are some of the most creative musicians in the south east right now. For that reason they can do whatever they want for this band. It was hard for me to say their music is easily classified. Hence all the different “sample if you likes”. For that reason alone, they appeal to me and should to the masses.

Photo taken from band's myspace page

The show started off with a melodic rhythm and just busted into heavy guitars, keys, and electronic sounds. I was super surprised at how heavy they came off at points during the performance. I loved the fact that they created all these sounds and combined them into epic songs. The main singer and front girl’s voice, Lauren, had me captivated for the word go. The rhythm section of Jeremy, drums, and Micah, bass and keys, made me want to dance. While on the other hand the guitar team of Lauren and Greg made me want to create a ruckus, but in a good rock show way. At that moment I knew what their “mission statement” meant on my-space; something to the effect of just four friends on a collaboration of music. Doing this project no matter what happens. These four make this band, and I would hate to see them try and do it with anybody else. The songs are put together with robot precision. I mean right when another melody intertwines with a bass line or guitar riff, there will be a cool guitar effect (that sounds like an organ) riding along with it. May I also say that the band just fits together? I know it has nothing to do with the music, but the two girls just look classy and a friend of mine thinks “the dudes are on point”.

I am in love with the song “Autonomic- traits of a traitor” the hard keys had me moving my feet. It reminded of my drum and bass clubbing days. It also made me think, I wonder if they feel like Blondie did at CBGB, just creating something that makes people want to dance. It’s kind of tough for a hard rocking guy to say that. The song “Arpeggiator”, which Gregg takes lead vocals on, let me know I truly liked the band. He has a style that made me think of The Melvins and they are just one of my favorite bands of all time. On record it didn’t come off as hard as it does live. The only down side I had to the show was that I wished the vocals were turned up 1 or 2 decibels. I mean just a few notches so I could understand more without having heard the lyrics off of the record. I also was trying to buy a disk, but I had no cash on me. I asked for a disk, but ended up just heading home (while they were loading up). I pay for the music I want enough, and I know I’ll just buy a few at the next show. I’ll need a few to give to friends that I know will just love this band.

I can’t wait to go see this band again! I went to their web page on my-space and they are playing all over the place. People: catch them sometime soon, just about anywhere in Atlanta, and around the southeast. I wonder if they have toured the country as I know this band translates to that quality if they want to do that. I just hope they don’t change the chemistry of the band.

Rock Fist Rating:
Rock Hands in the air
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Today the Moon Tomorrow the Sun is:
Gregg –Guitars & Vocals
Lauren- Guitars, Keys, & Vocals
Micah- Bass, Keys, & vocals
Jeremy- Drums, & Electronic drums/sampled drum sounds

www.myspace.com/todaythemoontomorrowthesun

Review of Teabaggin’s 12.19.09 Performance: The Boston Teabaggin’ Party
~Kris Melton

Location of Show: Vinyl, Atlanta, GA
Band’s Location: New Smyrna Beach, FL (Daytona)
Sample if you like: NOFX, Five Finger Death Punch, System of a Down, Bouncing Souls

Florida locals, Teabaggin’, are a raunchy, high-energy punk band that graced Vinyl’s stage for an event called The Boston Teabaggin’ Party. The event was put on by One City Productions, an organization that utilizes local bands to gain community awareness and involvement in issues that affect us all locally. While they are not necessarily politically driven, they encourage and challenge everyone to get educated on current issues, with the driving force of the evening focused on Fair Tax. The event occurred exactly 236 weeks after the real Boston Tea Party and included a guest speaker, Jim Duffie, in between bands to inform show-goers about Fair Tax, the current problems with our income tax code, and what people can do about it.

One City Productions went all out on the event hanging fishing net and tea bags above the stage and a projection screen with cartoons and visuals of The Boston Tea Party. Teabaggin’s front man, Chris Scott, participated enthusiastically by wearing a wig and costume reminiscent of what was worn in the late 1800’s. This amusing scene created an unusual and entertaining atmosphere to kick off the show. At some point Chris lost the wig and shirt to reveal face paint, a blond Mohawk, and an assortment of tattoos, never losing the look of wild elation.

Teabaggin’s energetic performance truly entices participation from their crowd, with an almost constant mosh pit, head banging, and chanting of lyrics. This quality truly sets them apart from their peers with a memorable performance that’s both rampant and amusing. Their music combines traditional punk with a metal edge for a heavy, raw sound. Vocals range from racing to squealing, always in synch with the raging drums, striking bass, and vigorous guitar. With lyrics fluctuating from humorous to political, they truly embrace their punk roots.

Songs that truly stood out in the evening include “Flop the Nuts”, “Happy Feelings”, Propaganda”, “Cold Dead Hands”, and “Fuckin Dick”. Probably their most marketable song is “Rotten” which has a catchy alternative influence, with a noticeable guitar and winning vocals. “Bad Words” has a great intro, with a melody that shifts into a heavier sound, showing the band’s diversity and demonstrating a fluid sound. The crowd enveloped the floor during this song, truly engaged in the show. For hardcore punk fans that aren’t sure if Teabaggin is a fit for them, check out “Torture”. Teabaggin’s proclaimed drinking song, “Fire in the Sky” was said, “to be about women who cause men to start drinking, and all the men who love them for it”, incorporating an Irish influence into their ballistic yet brilliant chaos.

Each member really brings their own part to the band and they collectively know as a group how to rock out a crowd. Their album “Fire In The Sky” is available for purchase now and has received rave reviews from critics. They are currently working on new material for their second album which is scheduled to be released in mid 2010. The guys have played with groups such as Whole Wheat Bread, The Bastard Suns, Teenage Rehab, and Agent Orange. Once the second album is released the band plans to tour and promote, including areas in Kentucky, Indiana, Ohio, and New England. Their next show is in Orlando for a Battle of the Bands on January 23rd. For more information on purchasing their album, upcoming shows, and tour dates check their Myspace page www.myspace.com/teabagginsacmasters.

RFR Rating:
Both Rock Fists Up
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Teabaggin’ is:
Lead Vocals- Chris Scott
Drums- Dustin Walters
Bass- Jonny Bates
Guitar/ Backing Vocals- Robb Dean

www.myspace.com/teabagginsacmasters
For more information on Fair Tax go to www.fairtax.org.

For more information on One City Productions go to www.facebook.com/home.php?#/pages/One-City-Productions/177752733040?ref=ts.

Review of Sweden Rock Festival: June 3-6, 2009
~Mikey Reardon

Location: Sölvesborg, Sweden
If you like: Any rock or metal music at all!!

Each year, I make a pilgrimage to a conglomerate music fest. Last year was Virgin Mobile, prior year was Lollapalooza, etc. Little did I know in all of my fest seeking ventures that I was missing the Mack Daddy of all music fests – Sweden Rock.

Volbeat

I found out about Sweden Rock last fall; four days of some of the best Rock and Metal on the planet. Ahhhhhhh. Tossed together with a little ubiquitous cheese (Journey, Uriah Heep), and an I-don’t-really-get-it-but-what-the-hell slogan of “Fill your head with Rock”, the OMFG lineup promised to be a Rock Fest like no other You can check out the 2009 Festival bands here: http://www.swedenrock.com/index.cfm?pg=17&pr=1

Sevendust

On Wednesday night a must catch for me was Sevendust. Sure we share the same hometown, but I hadn’t seen them live yet. They gave an awesome show and though it was the lowest attendance day for the Festival (statistically), there were still thousands there to cheer them on. All of this was concurrent with and followed by lots of drinking.

Thursday was a busy, busy day. Lots of bands and not enough hours to catch them all: Pain, Volbeat, Candlemass, Flogging Molly, Ground Mower, Tyketto, ZZ Top and Twisted Sister. Whew. Volbeat and Ground Mower are two must hear (and see if you can) bands recommended to me by a number of Swedish die-hard metal heads and long time SRF attendees. Good call!

Flogging Molly

Both gave great shows and left their packed crowds chanting “En gång till !!”…and for those of you who don’t speak Swedish (like me, I had to ask) it means: One More Time. ZZ and Sister are always universal crowd pleasers, and thousands of people crowding together to see both bands in the misting rain and freezing temps just goes to show the Rock power both bands still command. All of this was concurrent with and followed by lots of drinking.

Ground Mower

Friday was another busy, busy day!! THOR, Unleashed, UFO, Motörhead and In Flames. If you love a good stage show, Thor did a lot of theatrics and not so much music. That evening saw the peak attendance at SRF, to the tune of about 36,000 people – which I will break down for you: The majority of those attending SRF are the Swedish (obviously), followed closely by neighbors in Denmark and Norway. You’re not going to run into native English speakers while you’re there (though everyone there does speak English). You’re also not going to run into many women. About 34,000 of the attendees are men. The 2,000 women attending are the girlfriend/significant other/fiancée/wife of the attending dudes (someone might have mentioned that to me before). So ixnay on thinking SRF is easy hook-up time.

In Flames

The weather gave a repeat and grander performance than the night before, giving up torrential downpours along with the freezing temps. Best I can tell, it didn’t keep a single person from coming out for Motörhead, including me and the couple making out. There was no such thing as elbow room at this show. Motörhead brought the bombardier with them, giving an all-out shagged up, rock out, performance!! By the end, the crowd was a bit crazed moving to the next stage where In Flames was up next. In Flames brought the axe licks and killer sound, plus the pyrotechnics (which were awesome even in the rain), that whipped up the already crazed audience into a foam at the mouth frenzy. All of this was once again concurrent with and followed by lots of drinking.

Motorhead

Saturday: Ok, I remember waking up what seemed very early and turned out was very early, with no chance of going back to sleep since the sun made it look like noon already, spending some quiet time in my hotel room, stumbling out later for breakfast and managing to make it to the Festival grounds, the rest of the day was a bust. I had every intention of seeing Soilwork, Immortal and Heaven & Hell that day, but it just wasn’t going to happen. Did I mention the constant drinking? I just now am recuperated from it which is why this review is so late. I don’t care who you are or what your cultural background happens to be (my family is Irish) – If you are a native English speaker, you can’t hold a candle to the Swedes when it comes to drinking. Period. But do not make the mistake of thinking the Swedes are alcoholics, because they are absolutely not. I just spent 4 days with 36,000 people crowded together and drinking without even one altercation,

fist fight, or brawl. Americans can’t say the same under any circumstances, with maybe the sole exception being the original Woodstock. The whole thing is a testament to Sweden as a people and a culture…..and as professional drinkers. My hat’s off to the entire country (and one particular blonde haired, blue eyed resident).

I have already RSVP’d for next year.

Rock Fist Rating:
Both rock fists up, fist pumping, waving in the air and screaming!!
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It was already 8:30pm the night of the Sevendust/ Black Label Society show on Saturday, April 18th when I received the call confirming my own attendance. After backing out of pre-set plans to attend “Go Funk Yourself” at Lenny’s, disappointing several friends and bands, then chowing down a McChicken sandwich faster than you can order one, I was on my way to Wild Bills in Gwinnett, GA. My evasive maneuvering and non-justifiable speed (as far as the highway troopers are concerned anyways) got me outside the venue just as Sevendust was opening with their first song.

Photo by Lance Eubanks

Thankfully for me, there were two lines at the entrance. One was for those with tickets in hand, and the other was for those purchasing tickets. The line for purchasing tickets and will call was long to say the least, and my guess is most of those waiting in the line missed almost the entire Sevendust performance. After meeting (and accosting with a bear hug) Tim Hurd, friend and business associate, in the parking lot to retrieve my ticket, I happily took a spot in the shorter line and managed to only miss two or three songs.

After being branded with a wrist band, I walked inside to see the largest club in the Southeast transformed into tornado of enthused rock fans tucked into every nook, drink in hand, as far as the eye could see. Originally hearing about Wild Bill’s plan to host the event raised an eyebrow (okay, two), but to my surprise turned out to be quite the concert venue. Unlike most venues which have “blind spots” in which you can not view the stage, Wild Bill’s offers a clear view regardless of your location. House bars and beer carts were scattered amongst the floors, complete with scantily dressed girls who prompt the question, “Are those real?” and the anticipated over priced brew. Tiered floors offered the equivalent to stadium seating, and the enormous dance floor transformed into one huge pit area right in front of the stage.

An instant smile stretched across my face as I made my way down the steps towards the thunderous sound of “Waffle” bellowing from the stage. “Bring me a life, make my life worth something more,” sang Lajon Witherspoon (vocals) I couldn’t help but scream in unison with the audience as he flipped the microphone out towards the crowd. The energy both on and off stage was immense and contagious. Clint Lowery (guitar) and John Connolly (guitar) worked the entire stage as Morgan Rose (drummer) flipped his sticks and entertained everyone, including his drum tech who was visibly amused. Their combined talent and natural knack for performing was evident early on.

Photo by Lance Eubanks

As soon as the drums and bass began their tango, my ears instantly recognized “Black” kicking into gear. Lyrics like “I’m minding my own business, I ain’t doing nothing wrong,” make this song both an anthem of rebellion and self assurance. From the crowd’s response it is safe to assume that message resounds in the hearts of their fans.

“Ugly” was my personal favorite of the night. The lyrics came out of Lajon’s mouth like a punch, while Morgan’s vocals squealed in the background, creating a piercing, poetic, tormented sound, truly capturing the song’s essence. I used my right arm to hook onto the railing separating the pit from the higher tier level of tables, and stretched out over the crowd right by Vincent Hornsby (bass). Rock fists, sweaty bodies, and an echo of lyrics seized the floor. Like a surge of electricity, this band struck their audience and dare I say stole Black Label Society’s (the headlining act of the night) thunder.

My only regret was missing “Angel’s Son”, regardless of whether that was my fault for being late, or if it was overlooked on the set list. A small, insignificant care after such an energetic, balls to the wall performance. They have a gift for creating a soulful, deep, gut habitating sound, especially with their collaborating bass and drums. I talked with Morgan Rose’s drum technician, Reagan Wexler, after the show. “Now that you’ve seen a show, you’re going to compare future performances to theirs. They are that amazing live”.

Afterwards, I migrated back to the parking lot where the tour buses were piping with worker bees loading equipment and the band was conversating with fans and loved ones. Since Sevendust calls Roswell, GA home, it is always a treat for them to play the Atlanta area. With an 8am load in time the next morning and only a few precious hours to see home and family, it was truly an honor to be welcomed into their safe zone.

Photo by Lance Eubanks

The highlight of my evening would have to be meeting both Clint and Cory Lowery, whom I spoke with about their side project “Hello Demons… Meet Skeletons” which was released late last year. Cory, a talented producer, and Clint, a musician of all trades, have already begun talks on new material and getting back into the studio.

Tight lyrics, insatiable stage presence, obvious chemistry amongst members, and die hard fans are the making of an entertaining live show and Sevendust does not disappoint. They have been touring in the states and abroad for quite some time now, but plan on taking a break shortly after their future trip to the Middle East, where they will supporting and performing for our troops. If you get the opportunity to see them in a town near you, do yourself a favor and purchase that ticket.

~Kris Melton

www.sevendust.com
www.myspace.com/sevendust

Review of Whole Wheat Bread 5.13.09 Performance at The Drunken Unicorn

Location: Jacksonville, FL
Sample if you like: Social Distortion, Dr. Octagon, and Black Headz

Records:

It’s hard for me to put Whole Wheat Bread into A category or genre of music. Some may say they are a straight up punk band and other may want to throw them into a rap/rock genre. In my opinion they are more than all of those elements. You can toss reggae and metal in to, making them a true punk rock band.

Whole Wheat Bread

Aaron Abram on Guitar is so obviously well studied in his licks. I heard anything from a hardcore metal riffs, to the classic punk riffs in “Ode to Father”. He is also the classic punk front man guitar player/singer demanding attention. This band is a unit and is totally tight on stage. From what I could see and hear I didn’t notice any stage mistakes. Then again I should say it is the middle of the tour they are on. WWB is also a band that commands the crowd. Everyone in the room will know who is playing and the purpose of them rocking it. In that way they are a classic hip hop band. The crowd must be involved! Which I think also carries over to punk from early bands like the Beastie Boys. Joseph Largen is a phenomenal drummer. At one point I asked myself if he is studio drummer hired to never screw up. Then I noticed his stage antics, twirling sticks between fills and the classic toss and catch. He kind of reminded me of a Tommy Lee in that way! CJ on bass had his low end moving. I mean truly cooking! It’s been a long time since I’ve heard a bass player move that fast on songs like “lower class man”. Just when you think it’s over they can cross genres again and play a little punk rock version of a country two step “Old Man Samson”.

If there is any down side to WWB, it’s that will tend to pull a younger crowd just by nature of the music. So if your not into “dirty south punk rock” then it isn’t for you, but if your mind can reach across genres and sub-pop punk than you are in for a big treat. The only thing that would hold me back from seeing this band again is if they played a big 40,000 seat venue and I was way in the back. I think that punk rock and hip hop is best in smaller venues, where the artist can pull the crowd into the show. Lastly I just want to say that at my next WWB show I want to see some B-boys/B-girls ripping some break dancing moves on the dance floor. All the ones I know are going love this band and the shows. I also want to see a big old circle mosh pit full on 80’s style.

~Benjamin King

Rock Fist Rating:
Both Rock Fists Up, fists pumping, and hands waving in the air!
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Whole Wheat Bread is:
Guitar & Vocals- Aaron Abram
Bass & Vocals- CJ
Drums- Joseph Largen

Review of The Tips at Vinyl 5.15.09

Location: Atlanta, GA
Sample if you like: Rolling Stones, Waylon Jennings, Toots & The Maytals, Allman Brothers

The recently formed Atlanta locals, The Tips, have only been around since January 2009 and have already begun making a name for themselves across the Southeast, specifically Atlanta and Knoxville. They claim to be a genreless band with influences ranging from 30 years ago to the early 90’s, incorporating blues, country, jam, and classic rock appeal. Hearing what they sound like and actually hearing them are two extremes however. With a Mastodon show going on next door at Center Stage, The Tips received an overflow of new audience, mostly metal fans, all of whom took to their sound. Even at 9pm for the start of their set, Vinyl was packed, and from the first song to the last their crowd was hyped. More than once was I approached and relayed the message that this better be a good review.

Joe Marlow, vocals and guitar, has his own unique stage presence. His soulful voice radiates as his body does the “jiggle shakies” with a little dance. Although songs like “Baby’s Got Your Eyes” and “Country Boy” have a distinctive country flare, his voice is not whiny but foot tappin’ inspiring. Infact, all of their songs are very easy to dance to, as proven by a majority of the front row crowd. “The War” featured less country and more of a classic rock taste, not overly produced, but with appropriate accents and soulful keys courtesy of Brent Sandel. One of their new songs, “Gotta Have More” has a bluesier vibe put picks up the pace during the chorus with a perfectly placed guitar and harmonizing back up vocals.

There were several personal favorites and crowd pleasers that night. “Dagmar” received a great response thanks to the racing keys and jamming tunes. “Country Boy” encouraged whistles and mass dancing across the pit. The twangy meets groovy feel of this song makes it near impossible to stand still. By far “My Girl” was truly their best foot forward. The country-pop guitar jams out during the bridge, while the catchy chorus, “My girl, left me…” is instantly memorable. Matt Cahill, drummer, whipped out his harmonica for a musical breakdown that induced whistles and cheers.

Their crisp, tight sound is further complimented by their onstage appearance. Each member was dressed in suit and tie, fine tuning their image. If a mistake was made that night it was unclear to myself or the rest of the venue. The Tips are currently touring here and there across the Southeast, and have plans to release an album in mid-June. The album which is almost complete will be called “Indigent”. While several indie labels have shown interest, they are currently unsigned. For a show with great jams and a guaranteed good time, check out The Tips when they visit your town next.

~Kris Melton

RFR Rating:
Both Rock Fists Up
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The Tips are:
Guitar/ Vocals- Joe Marlow
Drums/ Harmonica/ Vocals- Matt Cahill
Keyboards/ Vocals- Brent Sandel

www.myspace.com/thetipsmusic
thetipsmusic@gmail.com

Review of Super Hooligan at Smith’s Olde Bar 8-2-2009
~Benjamin King

Location: Atlanta GA
Sample if you like: The Doors, Iggy & The Stooges, The Smiths, Danzig, The Ramones
Records: Super Hooligan, and Peacemaker

Lee Sebastian (photo from band's myspace page)

 

This has been one of the strangest reviews for me to do. It starts out when I hear this band just ripping it at a show in Duluth GA. I think they were on a bill with the Black Headz. I was digging this opening band and I had to find out more about them. So I went and checked out when they would be playing, and set up a time to do a live show review. This was originally supposed to be done back on 7-3-09. Rock and roll can do some strange things to a band. For some reasons unknown, the bass player didn’t show up, and they had a relatively new guitar player. The “band” decided to try and hash it out, since people had come out to see them. We will just say it didn’t turn out so well on that night. I truly dug the music so much; I wrote the band and said I wanted to come out again if they had it back on track for a future show at Smith’s Olde Bar. We agreed to this future show review. In my opinion all of Super Hooligan’s chips would be riding on it as a band. Forward one month and one day exactly and I’m standing right by the sound board in my favorite venue, of its size, Smith’s Olde Bar. I started thinking about how many great bands I had heard in that room. I had great expectations that this night would be a good show. As the sound guy is running through the mic checks and running from back of house sound to front of house sound, I knew what I was in for. This was going to be some loud rock and roll!

People: May I say good, old fashion, loud, rock & roll is living and still well. “Hey you, come get some”! What a perfect way to start of a show. The song “Get Some” had me saying this is what I need right now. I felt like po-going around and kicking the air. Tino Martino, is punk rock solid. This is very apparent throughout his eclectic array of rock and roll drumming. A little bit later in the show, they ripped into a song called “Space Girl”. I was feeling the new bassist from this point on; this girl (yes a lady) laying down the low end like it should be done. Allison Shockley is a new addition after the previous show’s let down. She is amazing! To step up and know the songs in that short of a time period was God given. One of the original reasons I liked Super Hooligan was because of the previous bass player, but she was hitting it… I could tell she was in a groove at this point, as she must have gotten more comfortable in her new band. Lee, guitar player/vox/songwriter, started to sound a bit like a crosses between Jim Morrison, Glen Danzig and Steven Morrissey. I think it was after that song when Lee asked the crowd “Is it loud enough yet?” I thought to myself how I could answer that question… Rock can always be just a bit louder! I should also mention Jimmy Demer truly adds to this band. It is very apparent in the song “Peace Maker”. Super Hooligan is a guitar band and the guitar arrangements in this song are pure classic rock. I knew right then, that this band is a punk rock, classic band. “Little Sister” is my favorite song that they do! It’s a guitar song and a dig the soul riff. I think this song was also Lee’s best singing wise of the night. The show ended with what I think every band should do. They played a super familiar song for the crowd. “20th Century Boy”, had people dancing and rocking out. You all have to get that it wasn’t done the same old way we have heard over. We all love that T Rex classic, but it truly shows when a band can put their style to a known song. I wanted to dance to one of my favorite songs of all time.

Super Hooligan is a plainly a good rock band. It comes down to them just playing more shows as a band. I can see them going on without much more stumbling. I would hope that no one is offended by me saying Allison Shockley has a nice half sleeve. I dig her bass playing; by the next show I bet a beast will come out. Atlanta has something steam rolling at it and we can’t get out of the way. I am confident Super Hooligan is headed for future success.

Rock Fist Rating:
Rock Hands in the Air
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Super Hooligan is:
Lee Sebastian- Guitar & Vox
Jimmy Demer- Guitar
Allison Shockley- Bass
Tino Martino- Drums

www.myspace.com/superhooliganamerica

Review of Six Shot Revival 9/24/09 Performance
~ Celeste Watwood

Rock / Southern Rock / Americana
Location: Atlanta, GA

I can honestly say that I haven’t seen a really unique, high energy rock show that was worth a damn in a long time, but Six Shot Revival broke that streak into a million pieces! When Six Shot Revival took the stage, the bar was raised for the evening! Lead Singer, Marc Phillips, told everyone to join him up front. The crowd did that and pretty much anything else he told them to do for the rest of the night. Whether it was raising those rock fists up high, singing the chorus to the crowd favorite “Secrets”, or just screaming because he wanted them to; the audience did it! And it wasn’t just Marc, the entire band commands your attention as soon as they walk onto the stage. Brandon Purinton gets so pumped up during some of the songs that he can’t even stay seated, so he stands to bang on those drums! And the guitar player Jon Brown has amazing leads, one of which I am still humming. He even busts out a slide guitar for their song “Rebel music”. SSR has harmonies with a likeness to Blind Melon, vocals that are as soulful as Led Zeppelin, and straight up Aerosmith- style guitar riffs that give you NO OPTION BUT TO ROCK!

SSR’s newly released album, “Greatest Hits Vol. I”, was recorded at Southern Tracks studio. The album was mixed and produced by Steven Morrison and Tom Tapley of Tap More Productions, and mastered by Rodney Mills. Give a good listen to “Lady Luck”; I wouldn’t be surprised to hear that on the radio one day. You can purchase the album on the band’s myspace page (see below) or at one of their upcoming shows. Atlanta rock scene, be sure to get those rock fists out and throw them up for Six Shot Revival at one of their next shows : Vinyl on November 7th with Burned and Center Stage on November 20th with Chroma.

(Pictures from the performance below)

RFR Rating:
Both Rock Fists Up
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Six Shot Revival is:
Vocals- Marc Phillips
Guitar/ Vocals- Jon Brown
Drums- Brandon Purinton
Bass/ Vocals- Villain

Six Shot Revival MySpace: www.myspace.com/sixshotrevival

Click on the pictures below for a bigger view:

Review of Martians See Red CD Release Party 6.19.09 Performance
~Kris Melton

Location: Atlanta, GA
Sample if you like: Weezer, Sonic Youth, Elliott Smith, Pixies

Photo by Lance Eubanks

After months of writing new material and laying tracks in the studio, Martians See Red released their new CD “Godot” on June 19th. The guys kicked off their promotional tour with a CD release party in Masquerade’s Hell. This was ironic as the overwhelming heat that swept through the venue that night gave everyone an idea of what hell might actually feel like. Despite the heat, both the bands and the fans had their game faces on.

The Drownout warmed up the crowd prior, and most of the floor was filled as MSR opened with “Skeleton”, a mellow song with a slower, dramatic, dark edge to it. As Kenny laid into the first solo, I could read the intensity on his face and tell the guys were starting to feed into the moment. They played some oldies from their prior release “When All Seems Lost”. “Drunks Awake” is about unrequited love and has bittersweet guitar with a heavier bridge. “Open Words” was a crowd favorite, and most of them knew the words and sang along. This would be the band’s power ballad. “Everything is Falling into Place” has a 90’s flavor to add to its poetic lyrics. The guys sounded really tight during this song and received a great response from the audience.
One of the great things about Martians See Red is that they can combine beautiful lyrics that relate to the soul with a rock edge so as not to come across too sappy. They kept this tradition alive with the songs off their new album. “Vilena” starts off slow and sweet, and then kicks into gear with high energy and at times vocals that squeal. “Places My Flesh Used to Be” featured a deep bass you could feel in your throat during the bridge, and a sweet guitar to balance it out. “Heartbomb” reminds me of Adam Sandler’s demented love song in the movie The Wedding Singer. The verses tend to be hard hitting, while the chorus is light and carefree. “Traffic” is catchy and repetitive, with a touch of pop, and a heavy twist. “Chi” is a song about moving on and gives off a pop-rock sound that intensifies as it reaches its chorus.

Photo by Lance Eubanks

If any criticism could be offered, it would partially go to the sound, which is more or less the venue’s problem, not the bands. During several songs, Kenny’s vocals seemed to get lost in the music instead of being distinctive enough to distinguish. The other would be the band’s consistent level of enthusiasm. Most of the time they were feeding off each other and the crowd, but either due to heat, exhaustion, or both there were times when the energy was lost. With the immense heat consuming the place, it can definitely be forgiven this time.

The guys will be touring around Georgia, Tennessee, and Alabama in the near future. For more details on Martians See Red’s future plans check out Rock Fist’s video interview from the night of the show (coming soon). “Godot” is now available for purchase online.

RFR Rating:
Both Rock Fists Up
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Martians See Red is:
Guitar/ Vocals- Kenny Brown
Bass- Gerr
Guitar- Justin Mewborn
Drums- Troy Wolf

www.myspace.com/martiansseered

Review of Connor Christian & Southern Gothic’s 2.19.10 Performance
~Kris Melton

Location of Show: Smith’s Olde Bar, Atlanta, GA
Band’s Location: Atlanta, GA
Sound: Americana / Southern Rock / Country
Sample if you like: Fleetwood Mac, Counting Crows, G Love & Special Sauce

Long before Rock Fist discovered Connor Christian and Southern Gothic, the band was already making moves in both the local and national music scene. With their music video for “Sunday Suit” ranking in the top ten on CMT’s Pure Country 12-Pack Countdown and their latest album “90 Proof Lullabies” produced by Jeff Tomei (Matchbox 20, Jerry Cantrell) and mixed by Shawn Grove (Collective Soul, Sevendust), success seems only eminent for this talented group of musicians. Their sound is soulful and rustic, pulling from influences in both the rock and country genres for an Americana sound that’s catchy and spirited. It’s apparent that each member takes their position seriously, and the tight sound they create is one only achieved by hours of practicing and natural born ability. This night was a special show for the group, as they were also filming footage to be used in their next music video for “3 Times”. Rhett Thompson headed up the film crew, and with cameras scattered throughout the venue, which was brimming with fans from wall to wall, an evening of unforgettable artists began.

Back Row Baptists warmed up the crowd with a vigorous performance. Their new album “Broken Hearts and Bad Decisions” comes out next month on Vintage Earth and was co-produced by Connor Christian and James Barber (Ryan Adams, Hole). Connor Christian and Southern Gothic went back and forth sharing the stage with Sundown for several songs. With both bands on stage they opened the sets with “Road Goes on Forever”, in the process inducing foot tapping and a full body sound. “When My Lover Comes” had a southern gospel sound, and despite it’s 8 band members filling the stage, no weak link could be found.

Connor Christian and Southern Gothic opened their own set with “Midnight Moon”, which was embraced by the crowd. This song of southern soul had a twang of heartache and really flaunted Connor’s vocals. “South Texas Sun” is a slow, solemn song showing off the skilled violin and the invitingly deep bass. ”16 Bars” is a catchy song with more of a generic feel and a slight reggae style bridge mixed with their own country/ southern rock flare. “My Salvation” is another new song that was both smooth and rustic. “Waiting for Princess” featured an amazing violin solo by Elena Martin. The crowd couldn’t help but dance and sing along to “Sunday Suit”, their song which has been featured on CMT. This was followed by a cover of Guns N Roses’ “November Rain”. It is no simple feat to take on an Axl Rose song, but Connor truly delivered and wowed his crowd. With cameras rolling they went into “Three Times” with a fierce violin, pounding drums, and intense energy. Their performance was beyond a local level, and paired with the crowd’s involvement should make for excellent footage for the song’s future music video.

The band closed with two covers that inspired dancing, squealing, and resounding appreciation. “Devil Went Down To Georgia” was performed with fervor and an attention grabbing force. Elena’s incredible talent is undeniable throughout their entire set, but this song truly shows off her skills giving her a taste of the spotlight. “Folsom Prison” brought the evening to an end with the crowd chanting along lyrics and smiling ear to ear. This may have been a big night for Connor Christian and Southern Gothic, but rest assured this talented group can deliver every time. An added bonus to going to a Connor Christian & Southern Gothic show: free drink coozies.

RFR Rating:
Both Rock Fists Up
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Connor Christian & Southern Gothic is:
Vocals/ Piano/ Guitar- Connor Christian
Bass/ Vocals- Joe Abramson
Fiddle/ Mandolin/ Piano/ Vocals- Elena Martin
Drums- Shawn Thacker

Below are pictures from the show taken by Ange Alex. Click on the picture to view it larger:

Connor Christian & Southern Gothic’s video “Sunday Suit” was in the top ten videos for CMT’s Pure Country 12-pack Countdown. View the video here:

http://www.cmt.com/videos/connor-christian/470119/sunday-suit.jhtml

See Connor Christian & Southern Gothic at their next show! Check below for a show near you:
 

Mar 19 2010 10:00P
Chills
Thomaston, Georgia
Mar 20 2010 10:00P
Dixie Tavern
Marietta, Georgia
Mar 26 2010 9:00P
Montreux
Summerville
Mar 27 2010 9:30P
Wet Willie’s
Charleston, South Carolina
Mar 31 2010 8:00P
Rusty Buzzard
Thomaston, Georgia
Apr 2 2010 10:00P
SoHo
Columbus, Georgia
Apr 3 2010 10:00P
Hummingbird
Macon, Georgia
Apr 10 2010 7:00P
Living Room Show!!
Ft Myers, Florida
Apr 11 2010 3:00P
Living Room Show!!
Punta Gorda, Florida
May 14 2010 8:00P
Summit City Lounge
Whitesburg, Kentucky
Jun 12 2010 9:30P
The Loft
Columbus, Georgia

Website: www.ConnorChristian.com
Myspace: http://www.myspace.com/waitingforprincess
Facebook: http://www.facebook.com/home.php?#!/pages/Connor-Christian/22792502258?ref=sgm
Twitter: www.twitter.com/connorchristian